Circuit

In a hyper-connected world, Samantha Cheng's durational performances examine failure as a generative space.

Hye Rim Lee reimagines the classic 19th century ballet as "an exorcism of controlling forces".

Like any horror movie aficionado, Matthew Whiteman finds vulnerability, monstrosity, and cartharsis in The Brood, an exhibition at the Dowse Art Museum that traced a dark sensibility in recent art from Aotearoa.